Sunday, 9 October 2011

Are Rolling Stone’s readers copying Blender?

A few years ago, the now-defunct magazine Blender made a list of the fifty worst songs of all time. The number 1 choice was Starship’s “We Built This City”, a song that was the 66th top single of the 1980s in Melbourne and a staple of my travels in an old XC Ford Falcon to Currajong Special School on the modern 624 bus route.

Now, Rolling Stone, which has probably absorbed a lot of Blender’s readership since the latter magazine ceased publication, has asked its readers to vote for the worst songs of the 1980s. Although as a child I listened consistently to the commercial music of the eighties, since reading Joe S. Harrington I have been completely turned away from it. The list voted for was:
  1. Starship - “We Built This City” (On Rock and Roll)
  2. Europe - “The Final Countdown”
  3. Chris de Burgh - “The Lady in Red”
  4. Wham! — “Wake Me Up (Before You Go Go)”
  5. Men Without Hats — “The Safety Dance”
  6. Falco — “Rock Me Amadeus”
  7. Bobby McFerrin — “Don’t Worry Be Happy”
  8. Toni Basil — “Mickey”
  9. Taco — “Putting On the Ritz”
  10. Rick Astley — “Never Gonna Give You Up”
The strange thing is that according to those who reported on the list, “We Built This City” was nominated as the worst song by a huge margin, and that the reason it was so hated was not the song itself, but the fact that so many fans of Jefferson Airplane, Grace Slick’s former band of the 1960s, did not want her singing stadium rock which was designed only for commercial success.

in fact, I have never found “We Built This City” anything like so bad as Jefferson Starship’s other songs of the 1980s like “Jane” or “No Way Out” which were less successful but far worse examples of “We Built This City”. All the other songs on the list, however, really are very bad, and most are staples of these lists with at least three being repeats from the 2005 Blender list. The similarity with “We Built This City” and the more-deserving “Mickey”, “Don}t Worry Be Happy” and “The Final Countdown” is so striking I really wonder if the readers took their cues from it.

Saturday, 8 October 2011

Greenhouse sceptics as a carryover from Stalinism in China?

Today in the Sydney Morning Herald, there is some strange news that it is not only Australia where greenhouse sceptics have tremendous political influence. I outline in the link the fact that greenhouse sceptics are more often than not ordinary working people who would suffer a great deal from serious moves to reduce greenhouse emissions and believe adaptation is cheaper and more efficient than mitigation. The trouble with this view is that adaptation is very likely to make the problem worse, especially in a nation like Australia possessing a surfeit of fossil fuel resources.

What the Sydney Morning Herald is surprisingly showing is that in formerly Stalinist China, despite privatisation and extremely rapid economic growth, greenhouse sceptics may have more influence in academia than they do in Australia:
"Global warming is a bogus proposition," says Zhang Musheng, one of China's most influential intellectuals and a close adviser to a powerful and hawkish general in the People's Liberation Army, Liu Yuan.

Mr Zhang told the Herald that global warming was an American ruse to sell green energy technology and thereby claw its way out of its deep structural economic problems.
According to another Australian source, Zhang is a "left leaning" intellectual. If this is remotely true, it suggests that for all its rapid economic growth, China remains in many ways a fundamentally Stalinist nation whereby the interests of a dictatorial ruling class dominate despite growth of a type Mao Zedong could never have wanted or even imagined. What the ruling class of China will do in the future is an interesting question given the country's demographic decline as outlined by The Economist in Graysia a month ago. It may make it hard for China to adapt new technology, especially with such an old population and extreme scarcity of flat land. China is also turning to the much-discredited policy of farm subsidies to stabilise its economy: Beijing now pays more in farm subsidies than even France or Germany. As I outlined with Japan here, this may be a key cause of its low birth rate since removing farm subsidies would permit construction of affordable housing.

Still, once China's population falls into free-fall, one cannot say even a China that lags behind Europe in efficiency is a threat to the planet's ecosystems as an Australia with a pacified working class and a surfeit of fossil fuels.

Tuesday, 4 October 2011

Name changes that are silly beyond belief?

Time magazine this week has made a list of the top ten most absurd name changes.

Whilst I have loved to note name changes and even love to use the phrase g.k.a. (generally known as) for a pseudonym and to refer to a person by their real name, I have rarely laughed at the use of pseudonyms, even though I know that in some spheres of sport and religion changing names is mandatory for those of high rank.

Time's list was:
  • Lisa Bonet to Lilakoi Moon
  • Ol' Dirty Bastard to Big Baby Jesus
  • Caryn Johnson to Whoopi Goldberg
  • Mark Duper to Mark Super Duper
  • Mark Sinclair Vincent to Vin Diesel
  • Ron Artest to Metta World Peace
  • Prince to a Symbol
  • Steven Demetre Georgiou to Cat Stevens to Yusuf Islam
  • Puff Daddy to P. Diddy to Diddy
  • Chad Johnson to Chad Ochocinco
Of these, I can easily see a great deal of merit and reasoning in all Time's inclusions with the exception of Cat Stevens, for the simple reason that if Stevens was converting to Islam then there is every reason why he should want to change his name as the Islamic faith in its strictest forms requires him to do so.

Tuesday, 27 September 2011

A traditional home night

Last night, despite the absence of my brother in Singapore, was a traditional party night for our family when the Brownlow Medal was counted. Although for the past couple of month I have been under an awful daily rhythm whereby I get to bed at 2:00 and do not get up until 12:00, am often not washed and dressed before 13:00, am frequently not out to do basic jobs like checking my post office box or buying essential meal supplies until 16:00, and typically back home for dinner at 21:00 or three hours after my mother has cooked and eaten it.

The Brownlow count, like few other events, motivated me to do something to change this habit, so that after a stint in the State Library, I hurried quickly home with traditional party chips, pies and sausage rolls. An excellent Bolognese sauce was cooked for me - though I cooked the spaghetti myself since my mother prefers to have it on toast when I am not home at 17:00. After that, I rested for an hour and when I came down to cook the pies and sausage rolls the Brownlow count had already began.

When I sat down - rather awkwardly I will admit because of the angle I had to view the television at - I was disappointed at the early rounds because the long-familiar method of reading had been changed and the votes were being read at generally too fast a speed. There was also a somewhat erratic manner in showing this early footage and, as is so often the case with sports broadcasting these days, too much emphasis on overblown, noisy music to try to add drama to the skills of the players. With a clear eye I can see how this drama makes footy more appealing and exciting to casual fans, but it does the game discredit in my eyes since it tries to make the game more aggressive and violent when footy should be a game of skill above all else.

A result of this was that when people like myself became eager to see whether a player near the top had won votes after his team was announced, there was less suspense than in previous Brownlow counts. A lot of ridiculous and irrelevant time wasting about developing footy overseas - environmentally ludicrous given footy requires a surfeit of land only the southern and western states of Australia can provide - would have been better replaced by slow and more relaxed reading of the votes. An alternative was to provide more and better footage of the games where Brownlow votes were taken - the would have been enough space for nine games as we will have from next year with good footage if all irrelevant program material were deleted - even perhaps for slow motion highlights.

At first, I told my mother I was not enjoying the Brownlow count, but later, even as she politely declined more than one pie or any sausage roll as part of the party, I found it fascinating. As a number of rank outsiders like Andrew Swallow and Matthew Boyd obtained considerable numbers of votes, I noticed for the first time in watching Brownlow counts that North Melbourne have had the second-longest Brownlow drought in the VFL/AFL, not having won for twenty-eight years. Though Boyd and especially Swallow faded out, Hawthorn's Sam Mitchell attracted constant attention as he led the count for most of the night despite being ineligible due to a one-match suspension. there was no precedent apart from Chris Grant of the Western Bulldogs in 1997 for an ineligible player obtaining nearly so many votes as Mitchell did. Moreover, the highlights became better-broadcast and I came to enjoy watching it even if I was generally lolling about the fragile couch to get a good view.

Another twist that made the night fascinating was Gary Ablett junior reaching twenty votes for newcomers Gold Coast even though they received the wooden spoon. No player for a wooden spoon team had received twenty votes since Gary Hardeman of Melbourne in 1974, when votes for teams losing a game were much more frequent due to the lack of scrutiny during the count.

Then, when Mitchell finally faded there was the surprise of Nick Dal Santo winning 3-vote after 3-vote during St. Kilda's form recovery. My mother being a strong Saint fan, she was really excited at a Dal Santo Brownlow making up for a disappointing year for the Saints, but by Round Twenty, when I was really enjoying the count, it seemed clear that he had little chance as the familiar and expected name of Collingwood's Dane Swan received votes in most of the games he was predicted to. Moreover, the suspense returned as Collingwood's and swan's unbeatable form his a peak from the early August matches, and he received votes even when the Magpies got an expected scare from Brisbane.

As a finale to a day that delivered more than it promised, Swan received in the end more votes than any other player, and I, utterly tired, managed still to watch him receive the award. It was really exciting, though, to hear the discussion of Swan's record.

Friday, 9 September 2011

What the list says about Australia

It is unfortunate that I forget the site from which this 2011 list of the best Australian albums of all time was taken. However, I still feel I should have some sort of look at it as I had planned to do a long time ago.
  1. Odyssey Number Five – Powderfinger

  2. Frogstomp – silverchair

  3. Back in Black – AC/DC

  4. The Living End – The Living End

  5. Kick – INXS

  6. Internationalist – Powderfinger

  7. Apocalypso – Presets

  8. Wolfmother – Wolfmother

  9. Since I Left You – The Avalanches

  10. UNIT – Regurgitator

  11. Like Drawing Blood – Gotye

  12. Guide To Better Living – Grinspoon

  13. Crowded House – Crowded House

  14. Vulture Street – Powderfinger

  15. Slightly Odway – Jebediah

  16. The Hard Road – Hilltop Hoods

  17. Eternal Nightcap – The Whitlams

  18. Woodface – Crowded House

  19. Innerspeaker – Tame Impala

  20. Conditions – The Temper Trap

  21. 10,9,8,7,6,5,4,3,2,1– Midnight Oil

  22. Diorama – silverchair

  23. The Calling – Hilltop Hoods

  24. Sunrise Over Sea – The John Butler Trio

  25. Get Born – Jet

  26. Hourly, Daily – You Am I
  27. Neon Ballroom – silverchair

  28. The Cat Empire – The Cat Empire

  29. The Sound of White – Missy Higgins

  30. Themata – Karnivool

  31. Down the Way – Angus & Julia Stone

  32. Universes – Birds of Tokyo
  33. Diesel and Dust – Midnight Oil

  34. Memories & Dust – Josh Pyke

  35. Hi Fi Way – You Am I

  36. In Ghost Colours – Cut Copy

  37. Highly Evolved – The Vines
  38. A Book Like This – Angus & Julia Stone

  39. Birds of Tokyo – Birds of Tokyo

  40. Echolalia – Something for Kate

  41. Double Allergic – Powderfinger
  42. East – Cold Chisel

  43. Freak Show – silverchair

  44. Tu-Plang – Regurgitator

  45. Sound Awake – Karnivool

  46. Walking on a Dream – Empire of the Sun

  47. Black Fingernails, Red Wine – Eskimo Joe
  48. Ivy and the Big Apples – Spiderbait

  49. Whispering Jack – John Farnham

  50. The New Normal – Cog

  51. I Believe You Liar – Washington
  52. Murder Ballads – Nick Cave & The Bad Seeds

  53. Three – The John Butler Trio
  54. Tea & Sympathy – Bernard Fanning

  55. Blue Sky Mining – Midnight Oil

  56. Bliss Release – Cloud Control
  57. The Honeymoon Is Over – The Cruel Sea

  58. New Detention – Grinspoon

  59. As Day Follows Night – Sarah Blasko

  60. We Are Born – Sia

  61. Hold Your Colour – Pendulum
  62. Cruel Guards – The Panics

  63. Grand National – The John Butler Trio

  64. Polyserena – george

  65. Cold Chisel – Cold Chisel

  66. Running on Air – Bliss N Eso

  67. Flying Colours – Bliss N Eso

  68. The Experiment – Art vs. Science

  69. Gossip – Paul Kelly and The Coloured Girls

  70. Young Modern – silverchair

  71. Beams – The Presets

  72. Beautiful Sharks – Something For Kate

  73. Highway To Hell – AC/DC

  74. The Overture and The Underscore – Sarah Blasko

  75. Living in the 70s – Skyhooks

  76. Human Frailty – Hunters & Collectors

  77. Immersion – Pendulum

  78. Lovers – The Sleepy Jackson

  79. Gravity Won’t Get You High – The Grates

  80. (I’m) Stranded – The Saints

  81. Feeler – Pete Murray

  82. Up All Night – The Waifs

  83. Wonder – Lisa Mitchell

  84. 16 Lovers Lane – The Go-Betweens

  85. State of the Art – Hilltop Hoods

  86. This Is the Warning – Dead Letter Circus

  87. A Song Is a City – Eskimo Joe

  88. Imago – The Butterfly Effect

  89. Pnau – Pnau

  90. The Long Now – Children Collide

  91. Gilgamesh – Gypsy & The Cat

  92. A Man’s Not a Camel – Frenzal Rhomb

  93. Moo, You Bloody Choir – Augie March

  94. Everything Is True – Paul Dempsey

  95. Stoneage Romeos – Hoodoo Gurus

  96. Paging Mr. Strike – Machine Gun Fellatio

  97. Begins Here – The Butterfly Effect
  98. The Boatman’s Call – Nick Cave & The Bad Seeds

  99. Thrills, Kills & Sunday Pills – Grinspoon

  100. Two Shoes – The Cat Empire
On the whole, it is very hard to say much abut this list for the very simple reason that I know so little about most of the albums in that list. Powderfinger, who top the list, are a band I have always disliked since first hearing them on Triple M as a young Melbourne University student, and Silverchair are a band I have hated ever since hearing many times awful songs like “Pure Massacre” (which I heard as “New Mexico”) and “Israel’s Son” - though they have actually disowned Frogstomp today.

When one looks at Australia’s comfortable, conservative culture, it is hard to with hindsight see ultra-macho AC/DC as being part of it. They really were a part of the European rock scene that lived in Australia, though some aspects of their music - its very basic rock and roll character - are Australian. INXS have not held up that well with age since Hutchence’ suicide in 1997, and the Presets are totally retro even in the middle 2000s. Those artists lower down on the list are mostly “alternative” rockers whom I have come to realise really are not properly an “alternative” to the mainstream of the post-grunge era. Critics outside of Australia have never remotely been attracted to these groups even though they are generally not without experience of Australian music.

When one looks through the rest of that list, one sees more than anything that Australia’s extremely high “connectedness” or natural unity leads to a stifling conformity even with the incentives of perhaps the freest market in the world. Newspapers have long notices Australia’s lack of distinctive music - I recall such being noted by The Age in 1996 - but the cause is never considered.